Swansea University‘s Centre on Digital Arts and Humanities was founded in summer 2014. CODAH aims to deepen links and share knowledge between staff and students in Arts and Humanities and Computing (and other disciplines), in terms of research, teaching, public
Hafod and Morfa Copperworks from White Rock Image Credit If anyone has not become aware of the work of the Welsh Copper project then a trawl through some of the information available from it may be in order. Cu@Swansea has gathered
Having used gephi, http://www.gephi.org for some time, I’ve been wanting to look at alternative network engines, as people keen coming up with interesting data sets that sometimes seem to cause me a problem in Gephi for one reason or another.
http://2014.digitalfestival.net
From: http://ihrdighist.blogs.sas.ac.uk Next seminar – Tuesday 3 June 2014 – Digitising the First World War: opportunities and challengesPosted on 13 May 2014 by Jane Winters The IHR Seminar in Digital History would like to welcome you to its first seminar of
http://blog.okfn.org/2014/05/07/17209/ “We are excited to announce the second round of the Open Humanities Awards, running from 30 April until 30 May 2014. There are €20,000 worth of prizes on offer in two dedicated tracks: Open track: for projects that either
May 12, 2014 by Trevor Owens (Original Article link) Winner at the Delta County Fair, Colorado, 1940 Oct. Farm Security Administration/Office of War Information Color Photographs,http://hdl.loc.gov/loc.pnp/fsac.1a34201 The National Digital Stewardship Alliance Innovation Working Group is excited to announce the winners of the 2014 NDSA Innovation
Arts, Humanities, and Complex Networks — 5th Leonardo satellite symposium at NetSci2014 taking place in Berkeley at the Clark Kerr Campus of the University of California, on Tuesday, June 3, 2014. Abstract: For the fifth time, it is our pleasure to bring
From: http://www.newrepublic.com/article/117711/digital-humanities-have-immense-promise-response-adam-kirsh “Adam Kirsch’s recent piece in The New Republic on the “false promise” of the digital humanities doesn’t probe very deeply into the broad range of experimental approaches to humanistic scholarship that have been bubbling up over the past decades.
From: http://www.hrionline.ac.uk/openbook/chapter/dhc-hughes Proceedings of the Digital Humanities Congress 2012 Edited by Clare Mills, Michael Pidd and Esther Ward “This paper discusses an initiative at the National Library of Wales to build a research programme around the digital collections of Wales. The